This week a director attempts an impossible take, a detective attempts to remember a clue, and a First Nations activist attempts to show the damage yet to be done.
The cast and crew of a low-budget zombie find themselves between a director, Higurashi, driven to extremes and the chomping end of an actual zombie outbreak. Before the last drop of blood is spilled, we take a look at what drove Higurashi to this extreme and what was happening off screen. The poster film for "let's put on a show" spirit and independent ingenuity that opens with a in a brilliant 37 minute uninterrupted continuous shot- One Cut of the Dead [original Kamera o Tomeru na!; lit. Don't Stop the Camera!].A serial killer thought to have died eighteen years earlier returns. The only surviving witness, whose mother was the last victim in the original murders, and the case's now retired detective, who is suffering from age related memory loss, join together to finally end the terror that has haunted them both. A giallo from widely acknowledged master of the art, Dario Argento, Sleepless [original Non ho sonno; lit. 'I can't sleep'].
Peter Maguire is the lawyer for a First Nations reserve and trying to stop a logging company from building a road that will lead to clear cutting of Native land. After a meeting where the reserve's representative affirms their desire to fight, Arthur, an Indigenous activist, joins him on his trip back home. That night Arthur kidnaps logging plant manager, Bud, and the three men take a long trip through the wilderness. A brilliantly acted and brutal deconstruction of performative allyship, the limits of pacifism, corporate pillaging of the environment, and the land rights of First Nations people, Clearcut.
All that and three looks at a magnetic tape. Join us, won't you?
Episode 488- Cut to the Chase






