Showing posts with label Satoshi Kon. Show all posts
Showing posts with label Satoshi Kon. Show all posts

Saturday, October 22, 2022

Knocking on Devon's Door

     This week three films about evil within ourselves, others, buildings, and lack of capitalist society's demanded productivity.

     Anton has a serious lack of motivation. All he does is sit at home, smoke the devil's weed with his friends Mick and Pnub, and fantasize about Molly, the literal girl next door. But, as they say, idle hands are the devil's playground and soon a killing spree rocks his sleepy town. Will Anton be able to save the day, get the girl, and not be arrested for truancy at the Halloween Dance? Obvs. The most late 90s of late 90s teen comedies... Idle Hands.
     Mima is trying to make a career move from j-pop idol group member to serious full-time actress. Soon Mima learns what that move will cost. An enraged fan stalks her, someone else is writing detailed posts about her daily life and private thoughts, the production company demands a taxing and traumatic filming experience, and without her old support system she beings to fell excessive amounts of impostor syndrome. Can Mima find herself or is she just a thing to be replaced? Satoshi Kon's directorial debut, Perfect Blue.
     Still grieving, Sophia rents a house in the middle of nowhere. There she convinces an alcoholic occultist, Joseph Solomon, to spend months leading her through a trying ritual to summon her guardian angel to ask for a favor- contacting her deceased child. Does Sophia have the wherewithal to endure this test of physical and spiritual fortitude? Can Joseph hold himself together long enough to see her through? A Dark Song.
     Poet Rose Elliot bought a rare book. It details three witches who secretly control the world. One of which just happens to live in the same building as Rose. Writing to her brother for help, but being unwilling to wait for the requested backup to arrive, Rose begins following the book's clues to find the witch's lair. Meanwhile, her brother, Mark, in Rome might be closer than he expects to a witch of his own. The second of Dario Argento's Three Mothers Trilogy, Inferno.
     All that and Halloween Ends.
     Join us, won't we?
   Episode 280- Knocking on Devon's Door


Saturday, January 23, 2021

Necro Firearm Escape

      This week the last hand painted film, the most recent war blockbuster, and our third Asami film!

      A pair of assassins drive through the dessert. To cover the hours one tells the tale of a doctor who becomes a revenge focused mastermind when his wife is murdered. The doctor buys a woman, an addict sex worker, and molds her into the ultimate killing machine. An amazing physical lead performance drives this exploitation action fest. As the blood flies and the nipples expose, can anything stop Gun Woman?
     British and French forces are pushed to the northern beaches and surrounded in the town of Dunkirk. Looking at the evacuation from land, sea, and air, Christopher Nolan wrangles a large ensemble cast between epic war story of Dunkirk.
     Prestigious Ginei Studios has gone bankrupt and shut it's doors for the last time. In celebration of it's glorious past television interviewer Genya and his cameraman Kyoji have a life spanning interview with the studio's biggest star, Chiyoko Fujiwara, who disappeared from the spotlight thirty years earlier. A surreal work from one of Japan's undisputed masters of animation, Millennium Actress.
     All that and next week we bring Japanuary to a close with a look at the seminal J-horror series JU-ON. Join us, won't you?

Episode 189- Necro Firearm Escape